‘[In new media], brand experience as a marketing tool will start to come into its own,’ says JHP managing director Steve Collis; ‘Longer hours, lower fees, more pain,’ says Intro creative director Adrian Shaughnessy; more overseas competition, especially from eastern Europe (Cut The Mustard design director Robin Dunlop); ‘Graphic design will adopt a strong back-to-basics approach’ (Mark Whitehouse).
Fake news, doctoring photographs, and the themes of perception and reality are all reflected in the title sequence of a new Channel 4 drama.
The Guardian Media Group’s Sunday paper, The Observer, has launched a biannual, print design magazine, which looks to bridge the gap between consumer and specialist publications.
Online art shop RoomFifty has worked with studio Intoart, commissioning four disabled creatives to design prints that are being sold for £20 each.
Protests against climate change and ecological destruction are currently taking place across the world – we speak to graphic designer, Clive Russell, about how the eco group has used creativity