From a fully functional American diner through to Google’s unnerving house showing how technology has taken over our lives, we round up our favourites from this year’s Italian design festival.
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Research conducted into the diversity of the creative industries shows the sector on the whole to be hard to access for ethnic minorities, women and those from low-income backgrounds.
Japanese designer Kosuke Takahashi talks about why he decided to create a new typeface that incorporates braille and letters to cater for both blind and sighted people.
The annual Lexus Design Award, part of Milan Design Week, sees four finalists create concepts that aim to tackle world issues such as pollution, waste and recycling. We look at
Research from the Office for National Statistics (ONS) shows that women in graphic design get paid 6% less than men, while female product and clothing designers get paid 18% less.
A new book from US-based graphic designer Bonnie Siegler looks to demystify the design process for clients and teach them how to communicate and work with creative people effectively.
Speaking at Offset Dublin, the design director of the New York Times Magazine talked about the merits of putting time and effort into print, why superimposing images in Photoshop is
Pentagram partner Natasha Jen recently lambasted the term “design thinking” as “bullshit”, “jargon” and “extremely dangerous”. Designers share their thoughts on the concept and discuss whether teaching design skills
The Department for Digital, Culture, Media and Sport (DCMS) has announced its plans to invest in the UK’s creative industries with a new wave of funding but has focused on
The Design Museum’s new show delves into the last 10 years of turbulent political events, and reveals how design has played a role in persuading, uniting and angering the public.
Speaking at Offset Dublin, New York-based Stephen Doyle talks about how he adds “magic and nonsense” to his work and looks to “transcend expectations” as a graphic designer through crafting
Speaking at this year’s Offset Dublin, Moving Brands’ creative director Sean Murphy talks on how he got to where he is today, why he hates the internet’s pedantic scrutiny of