Derek Birdsall’s interest in magazine design continued through seminal titles such as Town and the first Observer Sunday supplement. He has been head of graphic design at the Royal College of Art, following on from Gert Dumbar in 1987, and, though best known as a typographer, has created identities for the likes of the Church of England (DW 12 November 1999).
The campaigning organisation, which comprises over 10,000 members, needed an identity that would align it in the modern cultural landscape.
The Parisian illustrator is well-known for her playfully proportioned women and colourful characters — but where does this style come from?
The app has been given a new visual identity in an attempt let customers order food and drink while maintaining social distancing.
We speak with Usha Raghavachari, director of D-Ford’s London innovation lab, about human-centred design, getting to know customers in forensic detail, and calling “babies” ugly.