Fig Productions has created the title sequences for Jean-Jacques Annaud’s $90m (£60m) Second World War epic Enemy at the Gates, which is released on 16 March. Work on the film’s title design started last August. The end titles run for six-and-a-half minutes, claimed to be one of the longest closing sequences ever created, and use 10,000 frames. Created by Fig creative director and designer Richard Morrison, the titles use a bespoke typeface, designed by Dean Waresto, that emulates the Cyrillic alphabet.
We speak with Transport for London designers about how they are using the organisation’s rich design history to help people navigate the city in new ways.
After a year off because of the pandemic, the museum is back with a slate of projects and installations for 2021 covering everything from climate change to AI.
The London-based studio has developed an identity for the Interconnected Disaster Risks 2020/2021 report using composite graphics.
The MP for Mid Bedfordshire replaces Oliver Dowden, who has been removed from the role following a substantial cabinet reshuffle by Boris Johnson.