Fig Productions has created the title sequences for Jean-Jacques Annaud’s $90m (£60m) Second World War epic Enemy at the Gates, which is released on 16 March. Work on the film’s title design started last August. The end titles run for six-and-a-half minutes, claimed to be one of the longest closing sequences ever created, and use 10,000 frames. Created by Fig creative director and designer Richard Morrison, the titles use a bespoke typeface, designed by Dean Waresto, that emulates the Cyrillic alphabet.
Wolff Olins creative director Emma Barratt, creative director Kate Dawkins, Yarza Twins, Barclays Experience design director Noel Lyons join more experts from across the design industry.
The museum, which will close for two years in May to enable construction, will eventually feature work from the likes of Olafur Eliasson, Virgil Abloh and Yves Béhar.
Milan’s annual celebration of design focuses on innovation in the home, while also looking at global events and tackling sustainability.
The British condom manufacturer’s new brand positioning supposedly takes a stand against “sexual taboos, stigmas and outdated, non-inclusive attitudes”.