Fig Productions has created the title sequences for Jean-Jacques Annaud’s $90m (£60m) Second World War epic Enemy at the Gates, which is released on 16 March. Work on the film’s title design started last August. The end titles run for six-and-a-half minutes, claimed to be one of the longest closing sequences ever created, and use 10,000 frames. Created by Fig creative director and designer Richard Morrison, the titles use a bespoke typeface, designed by Dean Waresto, that emulates the Cyrillic alphabet.
A light-up smart keyboard, vagina-themed illustrations and a new exhibition celebrating 30 years of the Design Museum are some of our favourite projects from the last two months.
A full run-down of all last night’s winners category by category, plus best-of-show and our new Rising Star and Hall of Fame inductees
As part of our series looking at jobs in design studios, we speak to Pelin Morris, wayfinding graphic designer at Endpoint, about her fascination with human behaviour, why she observes
Learn about London’s street signs, visit an exhibition about brilliant craftswomen and find out whether you’ve won a coveted Design Week award.