Fig Productions has created the title sequences for Jean-Jacques Annaud’s $90m (£60m) Second World War epic Enemy at the Gates, which is released on 16 March. Work on the film’s title design started last August. The end titles run for six-and-a-half minutes, claimed to be one of the longest closing sequences ever created, and use 10,000 frames. Created by Fig creative director and designer Richard Morrison, the titles use a bespoke typeface, designed by Dean Waresto, that emulates the Cyrillic alphabet.
The design consultancy has rebranded the alcohol subscription service, which sends its members a surprise bottle of gin plus other goodies every month.
Hunt has set up a new initiative which will see 60 objects from the V&A’s collections travel to regional museums in the North of England, in a bid to inspire
On 13 July, tens of thousands of protesters marched the streets of Central London imploring prime minister Theresa May to “Dump Trump”, as the US president made
Ex-Design Council CEO John Mathers and creative director Bill Wallsgrove have co-founded a branding consultancy, which will look to improve the creative image and strategy of charities to help them