The identity uses a version of the Bodoni typeface – the consultancy says: “Its distinctive contrast of thicks and thins enabled us to amend the characters to form the logo without
The Max II chair design is in response to research that apparently shows that more than 7,000 school children are admitted to hospital each year from chair-related accidents.
Coley Porter Bell has rebranded the Scottish cheese company as part of a drive to double the brand value and “secure the top spot in the UK cheese market”.
Creative Translation managing director Luke Innes says that in order for brands to successfully adapt their global message overseas, they need to review their brand identity first and tailor it
James Sommerville, vice president of global design at Coca-Cola, is curating a campaign to mark the centenary of the bottle design, which responded to a brief that it should be recognised
In the first of a series of articles, the Design Business Association’s John Scarrott examines what is required to create the “belonging” necessary for high-performing teams, and looks at how consultancy Bow&Arrow
The new regulations will protect companies against threats designed to intimidate or for unfair advantage, but not when an actual incident of IP infringement has occurred.
Images&Co – led by Malcolm Garrett and Kasper de Graaf – has created a new identity for the Knowledge Transfer Network, which features a “hidden” arrow perfectly mirroring the “K”
Recent Royal College of Art graduate Ackeem Ngwenya has presented his concept for a shape-shifting wheel and tyre that can be adapted for poor road conditions.
Stefanie Posavec is a US-born designer who moved to London after completing her MA at Central Saint Martins College of Art and Design. After a period working as a cover
Potential designs for a central London pedestrian bridge across the Thames have been revealed, created by more than 80 design teams across the world. The designs are in response to
The new identity is the first update to the London venue’s branding for 11 years and references the distinctive shape of the building.