"It's about connections" – Wolff Olins on its new Met logo
The new identity for New York’s Metropolitan Museum of Art, which combines serif and sans-serif typeforms, is revealed in full.
Russell Sage and Colt design 100 Wardour Street
The new restaurant space looks to connect with the “deep Soho roots” of a building which was previously the Marquee Club and Terence Conran’s Mezzo restaurant.
“I wanted to be a dentist – but dentistry sucked…” – Egypt’s Twins Cartoon
At the Design Indaba conference in Cape Town, we caught up with Egyptian twins Mohamed and Haitham Raafat El-seht to talk about being artists during a revolution, dealing with censorship
What does it mean to be a designer today?
Collaborative, innovative and not defined by discipline – a new piece of research by Birmingham City University’s Lara Furniss paints a picture of the modern designer.
“We started with a rectangle” – new crowdfunded smartphone Robin launches
The new Nextbit Robin phone has been designed by former HTC designer Scott Croyle.
“Ideas are existing – waiting to be found…” How Noma Bar gets inspiration
In this extract from the newly-republished A Smile in the Mind book, illustrator Noma Bar talks about some his iconic pieces, explains his love of wit and reveals what gives
New Renault typeface “visible when car in motion”
Following a rebrand last year Renault is working with foundry Production Type on a new flexible typeface system called Renault Carname.
Wolff Olins rebrands New York’s Metropolitan Museum of Art
The new logo is described by the Met as “a hybrid that combines serif and sans-serif”. The museum adds: “There may be some debate about the logo, because it involves
Spin helps Google Ideas shape up as Jigsaw
Google Ideas becomes Jigsaw as Google continues to distance its other businesses from its core internet business.
“Action breeds confidence” – how to grow as a design business
The DBA’s John Scarrott looks at how design businesses at all stages of development can build their confidence.
“I’m going to be very predictable…” – designers on their favourite Olympic logos
Otl Aicher in 1972? Lance Wyman in ’68? Or even Atlanta 1996 – designers tell us about their favourite Olympic identity systems.
Los Angeles “City of Angels” 2024 Olympic bid logo unveiled
72andSunny and Bruce Mau Design have developed the logo and brand application for the bid, which references the city’s original Spanish name.
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