
Michael Wolff: "Why all the poor logos?"
Michael Wolff scrutinises recent logos which he believes have fallen short and offer little more than “visual nonsense” as he assesses where they’ve gone wrong and how they could have
Design Week’s most popular branding and graphics stories of the year.
Michael Wolff scrutinises recent logos which he believes have fallen short and offer little more than “visual nonsense” as he assesses where they’ve gone wrong and how they could have
Nando’s has been rebranded by South African consultancy Sunshinegun as the restaurant looks to tell its own story better and express “new African design”.
Emily Penny, of Colourful Brand Strategy, looks at different definitions of the words “brand” and “branding” and asks if the industry can come to a consensus.
The new identity has been developed by Koto and sees the brand’s previous tree logo overhauled.
How the Co-op went back to its roots and worked with North on a new look while restructuring the business to reward its customers in a new way.
Pentagram partners Michael Bierut and Luke Hayman have created a new visual identity for global finance brand Mastercard, which aims to retain its 50-year-old familiarity while making it more digital.
The new look has been designed by Red Bee Media and aims to be “bright, mischievous and sophisticated”.
The new identity for New York’s Metropolitan Museum of Art, which combines serif and sans-serif typeforms, is revealed in full.
The broadcaster has upped production values across all channels as it looks to bring the brand in line with new programming.
Consultancy FutureBrand has designed the colourful new branding for NatWest, which is based on the original logo mark created in 1968.
The visual identity – completed by ad agency Whistlejacket London – is the company’s first rebrand since it launched 41 years ago.
DesignStudio has overhauled the Premier League’s identity as the organisation seeks broader engagement.
Wolff Olins has helped South American telecoms company Oi to launch its new identity, designing a user-generated logo that reacts to the sound of the customer’s voice.
The organisers of the Tokyo 2020 Olympics and Paralympics have unveiled the four shortlisted designs for the event’s branding, after a public competition saw 14,599 entries.
The transportation company has rebranded with a new identity that can adapt to every country it operates in.
The new logo returns to a variation of the red and yellow marque originally used by Kodak during the 1970s and 1980s.
Consultancy Paul Belford Ltd has designed the new visual identity, which sees the consumer-facing brand change from YO! Sushi to YO!.
British Steel announced its return by unveiling a completely new brand after deciding not to revive the David Gentleman-designed logo.
The new branding has been designed by Taxi Studio, and aims to create a more “simple, contemporary” look for Polo mints.
How the Co-op went back to its roots and worked with North on a new look while restructuring the business to reward its customers in a new way.
McDonald’s assembled a team of designers from its rostered agencies to develop a new strategic direction which formed the blueprint for Boxer’s design.
Subway ditches its italic identity, simplifies its wordmark and creates a new “S” symbol ahead of its 2017 global identity roll out.
JKR’s New York office has redesigned the visual identity for beer brand Budweiser as part of a global rebrand.
“Skill and craftsmanship” is referenced as new look harp hopes to hit the right note with younger drinkers.
The Design Museum identity has been reworked ahead of its move to its new west London site in November.